![]() The subconscious desire to emphasize the difference between a and e caused the second vowel to become closer, since a is the most open vowel. ![]() Thus, in -~M~ ~~M > ~~ a~ venditis > ~M > vendéis and similarly in the other forms: amabais, amarais, amaseis, amareis). Panner, Le MottVMXMt resthétique et '~c~~t ~w~-c) are surely to be explained according to Menéndez Pidal's statement, some of the other examples incline one to the belief that there was an unconscious effort to contrast the two sounds. ~See below: Letter of Moore to James Huneker, and, also, A. With a lumbering, unflavored touch, he contrives his similes, sometimes close in spirit to his model, sometimes far, as in this: Therefore, he mingles with his recounting of bourgeois life the first heavy and laborious imitations of the precise wôrd-images in the use of which Huysmans was most adroit. He had read A Rebours and been struck with the new horizons of power opened to him he, like Huysmans, had seen the insufficiency of Zola's descriptive mechanics, shorn of all delicacy and nuance, when it was question of reproducing the subtle and poetic lustre of the world. The book in matter is banal, in treatment mediocre its story is merely the husband-quest of the daughters of a bourgeois Dublin family, but it was written in a style new to Moore. It was A Drama in Muslin and he later stated that it was his re-editing of the theme of A Do/s House. While the trends were thus taking new shape, George Moore was not quiescent though he had not yet decided how symbolism was to affect his writings, he produced a novel in 1886 from his temporary viewpoint. Huysmans, with A Rebours in 1884, had dared to abrogate his discipleship with the school of Médan, and the famous 'Manifeste of Five', signed in 1887, indexed the vigor and popularity of the idealistic reaction. George Moore's earlier works, from the Flowers of Passion in 1878 to A Modern Lover in 1883, reflect his Parisian sojoum and the influence of Baudelaire and Zola.i But naturalism in France had given way about 1885 to the new school of impressionism and symbolism. 3Ī FTER 1865 in England, when the interlude of the influence of German culture was closing, a reawakened admiration for the French spirit and a desire to imitate the French forms and movements arose, but the introduction of naturalism into England came only when its scabrous corpse was being interred in France. Le taux de reconnaissance estimé pour ce document est de 96%. En effet, le mode texte de ce document a été généré de façon automatique par un programme de reconnaissance optique de caractères (OCR). ![]() Le texte affiché peut comporter un certain nombre d'erreurs. Source : Bibliothèque nationale de FranceĬonservation numérique : Bibliothèque nationale de France Directeur de publicationĭescription : Collection numérique : Arts de la marionnette Directeur de publicationĬontributeur : Weeks, Raymond. Éditeur : Columbia University Press (New York)Ĭontributeur : Todd, Henry Alfred (1854-1925). Titre : The Romanic review : a quarterly journal devoted to research, the publications of texts and documents, critical discussions, notes, news and comment, in the field of the romance languages and literatures / edited by Henry Alfred Todd and Raymond WeeksĪuteur : Columbia university (New York). The Romanic review : a quarterly journal devoted to research, the publications of texts and documents, critical discussions, notes, news and comment, in the field of the romance languages and literatures / edited by Henry Alfred Todd and Raymond Weeks | Gallica
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